Hollywood's Story Formula: Myth or Shackle?

This article delves into the prevalent three-act narrative structure used in film and television, tracing its roots back to Aristotle and its widespread adoption in Hollywood. While acknowledging its commercial success, the author questions its repetitive and conservative nature. It masks the underlying structure, reinforces the status quo, and potentially hinders critical thinking about reality. The article also explores alternative narrative forms, such as cyclical and fragmented narratives, and calls for filmmaking to better reflect the fragmentation and complexity of contemporary society.