Designing for the Eye: Optical Corrections in Architecture and Typography

This article explores the fascinating world of optical corrections in visual design and architecture. Using the Müller-Lyer illusion as a starting point, it delves into how our perception biases influence design choices. The author meticulously examines typeface design, particularly Futura, showcasing how subtle adjustments compensate for these biases to enhance aesthetic appeal. A comparison with FF Bau highlights the importance of these corrections. Further, the article analyzes the architectural marvel of the Parthenon, demonstrating the ancient Greeks' masterful use of optical corrections in achieving structural and visual harmony. The piece concludes with a call for designers to prioritize detail and strive for excellence, rejecting mediocrity.