The Embodied Alphabet: From Renaissance Humanism to Pedagogical Commentary
2025-02-13
Typographic characters have long been linked to the human form. Renaissance figures like Luca Pacioli and Geoffroy Tory used human anatomy as a basis for letter proportions, as seen in Peter Flötner's 1534 woodcut 'Menschenalphabet'. Later works, such as 'The Comical Hotch Potch' (1782), shifted the focus, using the alphabet to subtly comment on the character-forming aspects of education, depicting figures comically contorting themselves to mimic letter shapes.