Speed, Anxiety, and the Echoes of 1910 in the 21st Century
This article explores the unsettling parallels between the anxieties of the early 20th century, marked by rapid technological advancements (automobiles, airplanes, bicycles), and the challenges facing our own time. Drawing from Philipp Blom's 'The Vertigo Years,' it recounts the pervasive anxiety and mental strain resulting from the accelerated pace of life, and how artists responded through their work. From the widespread prevalence of neurasthenia to the birth of abstract art, the author argues that modernism wasn't simply a reflection of modernity, but a reaction to it. The piece delves into the contrasting yet complementary theories of Max Weber and Sigmund Freud, offering sociological and psychological perspectives on the roots of this anxiety. It ultimately prompts reflection on the relationship between technological progress and human nature: is technological advancement the ultimate expression of our humanity, or its ultimate threat?